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'The work is finished when the reason no longer matters'. Willy van der Duyn's work is a summary of acquired images. The catalyst of the performances is intuition. There is no concept or message. The work is autobiographical. A bridge is built between the inner world and the outer world. The method is associative. There is an image, a form, a feeling, to which things -like crystals- attach themselves while working. The performance is situated between abstraction and figuration. Experiment and chance play a major role in the work. Titles are an important part of the work. They must have the same associative effect as the performances.